Best Microphone for Acoustic Guitar

The acoustic guitars are ideal for pop, country, rock, blues, folk, and many other music styles. Moreover, These are the most popular instruments in the music world because of their specific and unique features.  Furthermore, These also provide excellent sound quality. Most importantly, for using the acoustic guitar you must use the best microphone for acoustic guitar.

Recording is a basic skill.  In addition, You must know audio engineering and be familiar with phase, proximity, and tonality terms.  Moreover, Acoustic guitar pickups are used to amplify and record the instrument, but many engineers still prefer using microphones.

The different types of microphones are available at different prices in the market. There are only some microphones that support the acoustic guitar sound. Some microphones show the frequency response that sounds great when combined with vocals that make the acoustic guitar sound brittle and thicker.

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The Best Microphone for Acoustic Guitar Recording 

In conclusion, after researching the best microphones for recording we have made a list of acoustic guitar mics. There are almost six types of microphones .These microphones  Further include different options these types are

Small Diaphragm Condenser

  • Audio-Technica ATM450
  • Shure SM81
  • Neumann KM 184

Budget Small Diaphragm Condenser

  • Shure PGA181

Large Diaphragm Condenser

  • Neumann TLM102
  • Audio-Technica AT4050

Budget Large Diaphragm Condenser

  • MXL 770

Dynamic Microphones

  • Shure SM57
  • Sennheiser MD421 75

Ribbon Microphone

  • Royer R-121 Studio Ribbon Microphone

Overall the acoustic guitar mics are:

  • Audio-Technica ATM450
  • Shure SM81
  • Neumann KM 184
  • Shure PGA181
  • Neumann TLM 102
  • Audio-Technica AT4050
  • MXL 770
  • Shure SM57
  • Sennheiser MD 421-II
  • Royer R-121 Ribbon Microphone

Audio-Technica ATM450

Audio-Technica ATM450 Best Microphone for Acoustic Guitar

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This is the best Small Diaphragm Condenser Best Microphone for Acoustic Guitar. This microphone is available in normal price ranges that almost everyone can buy a cardioid condenser mic designed specifically for increased SPL (Sound Pressure Level). It includes different tools like a drum, cymbals, amplifier boxes, and many others. These microphones are with special sensitivity as they can capture the variations of acoustic guitar.


  • Polar Pattern: Cardioid
  • Frequency Response: 40Hz-18kHz
  • Impedance:200 ohms
  • Max SPL: 152dB
  • Power Requirements: +48V

It is most known for capturing the recordings in a very soft, clear, and natural sound. It shows the most prominent features of mid and high tones. This microphone provides you a variety of ranges with high Sound Pressure Level controlling power. The ATM450 characteristics include a built-in 80Hz hi-pass filter and a switchable 10dB pad.

Audio-Technica ATM450 Side Address Condenser Instrument Microphone
  • Unique side-address stick design maximizes placement options with minimal obstructions^Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments ^Integral 80 Hz HPF switch and 10 dB pad ^Frequency response: 40Hz - 20kHz ^Includes isolation clamp

  • Low noise with wide dynamic range, and increased SPL capabilities
  • Provides smooth, clear transients
  • Picks up the fine details

  • The microphone may not have enough low end. This can be remedied by using a closer proximity or an EQ.

Overall, it is a good recording versatile microphone that completes its work smoothly and naturally with all the features.

Must Read: Electric Guitar Vs Acoustic Guitar

Shure SM81

Shure SM81 Best Microphone for Acoustic Guitar

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The users most like this mic because it is on topmost of all the small-diaphragm condenser microphones with its amazing reviews. One of the basic features is capturing clear and transparent sounds that you can compare with other high-priced microphones. Moreover, this mic is lighter in weight (1.63 lbs) so you can easily carry the mic whenever you want compared to those mics that are big.


  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Impedance: 150 ohms
  • Max SPL: 136dB (146dB w/Pad)
  • Power Requirements: +48V

Moreover, this device is compatible with acoustic guitar amplifiers and all the other loud instruments. These are best used for studio and stage purposes. The microphone has a strong grip on the clear midtones and can control the larger volume. Their frequency response is from 20Hz-20kHz. This frequency range shows that the microphone can produce any type of sound with precision.

Shure SM81-LC Cardioid Condenser Instrument Microphone
  • 0 Hz to 20 kHz frequency response
  • Selectable low-frequency response: flat 6 or 18 dB/octave rolloff

  • Durable steel construction
  • Cardioid polar pattern
  • The flat response curve for maximum accuracy when recording
  • Solid reputation as an acoustic guitar mic
  • Table-top flat frequency response
  • Pad and low-cut filter
  • Just as good for piano, drums, and strings

  • Not acceptable for elegant, variations in playing styles

Many types of guitars including acoustic guitars are highly recommended for use with this microphone.

Neumann KM 184

Neumann KM 184 Best Microphone for Acoustic Guitar

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This microphone is a pencil shape with a small-diaphragm condenser Best Microphone for Acoustic Guitar. However, it can easily compete with other larger diaphragm condenser mics with increased Sound Pressure Levels. These are too expensive but they are also available with a single mic, however if you want to use many different mics, you can try the stereo pair full setup. This setup is expensive but it provides different and unique features with many mics available for the long run.


  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Impedance: 50 ohms
  • Max SPL:138dB
  • Power Requirements: +48V

It does not show any sound coloration over its total cardioid pickup pattern and it also rejects all the backward sounds. The reason these microphones are used in so many large studios is that they are designed specifically for stereo recordings, unlike other microphone pairs. Which do not produce sound sources the same way these microphones do.

Neumann KM 184 Small Diaphragm Condenser Microphone Satin Nickel
  • Cardioid Polar Pattern
  • Transformerless circuitry
  • Trouble-free operation even with unbalanced equipment
  • Balanced output
  • phantom powered (48V)

  • Very faithful flat response
  • Delicate
  • Imperceivable self-noise
  • Small form factor
  • Great for drums and strings as well

  • expensive and or not reasonable
  • Will catches ambient noise if it’s there

These are not preferred for the single or one mic. These are perfect for the stereo recording with 184 KM. Its different phase unity and tolerance make this product more sold. Its pair makes this mic perfect for acoustic guitar recordings in stereo.

Shure SM57

Shure SM57 Best Microphone for Acoustic Guitar

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With dynamic microphones, onstage applications can be performed. An excellent microphone with many unique features at an affordable price. Among the most important applications of this product are making snares and electric guitar amplifiers Best Microphone for Acoustic Guitar. The guitar with this mic focuses on the sound ignoring all the other unwanted sounds and noises. Its pickup pattern has this unique ability to reject the outer noises. There is no better option with exceptional sound quality. Many people have been using it for many years.


  • Polar Pattern: Cardioid
  • Frequency Response:40Hz-15kHz
  • Impedance: 310 ohms
  • Max SPL: 149 dB

It can attach to several instruments and can record all instruments’ sound thus this microphone is an all-rounder. As it is a dynamic mic, it does not require any high power space for operating the mic. This mic looks similar to SM58 which is the most purchased mic nowadays by the used in the market.

Shure SM-57 Cardioid Dynamic Instrument Microphone
  • Consumer Alert: Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.

Also Read: How To Play Acoustic Guitar

  • conic SM57 sound
  • Tough as old boots
  • Simplicity itself
  • Versatile
  • Astounding value
  • Built to withstand extensive usage with extremely long-lasting material used in construction
  • A cardioid polar pattern eliminates ambient noise, highlighting finer details while reducing background noise
  • A microphone that performs many functions, which is perfect to use with acoustic guitar, drums, electric guitar, vocals, and more

  • Not acceptable for elegant, nuanced playing styles

If you are looking for a mixing and amazing microphone that can record almost every type of sound. This microphone is perfect for this job. Having a single drawback with many positive points is not a bad option.

Sennheiser MD 421-II

Sennheiser MD 421-II Best Microphone for Acoustic Guitar

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These are made according to the loudness of the source of the sound. Moreover, these are the type of dynamic mics that pick the variations much better than other dynamic mics. The SM57 dynamic mic focuses on percussiveness. The MD 421-II has a richer and smoother sound which results in the bass strings more on acoustic guitars.


  • Polar Pattern: Cardioid
  • Frequency Response: 30Hz-20kHz
  • Impedance:150 ohms
  • Max SPL:137 dB
  • Power Requirements: +48V

Sennheiser MD 421-II Cardioid Dynamic Broadcast Microphone - 3 Pack
  • Dynamic Capsule Design
  • Cardioid Polar Pattern
  • 5-Position Bass Roll-Off
  • Includes Lock-On Stand Adapter
  • 30 to 17,000 Hz Frequency Response

  • A rugged, metal body helps to hold this microphone together through daily use.

  • 5 position bass roll-off switch
  • Less delicate to dust and humidity than all other older models.
  • Don’t need batteries or phantom power.
  • Productive feedback rejection

  • The clip-on this mic is breakable, hard to use, and isn’t standard. Worse yet, replacing it costs more than it’s worth.
  • Off-axis leakage makes sound quality defective when you are using it in many microphone setups. This is the major issue with studio usage.

Overall this is the perfect phone for classical musicians and the louder speakers. This microphone is easy to use and everyone can easily have it set up so you must use them Best Microphone for Acoustic Guitar.

Things to Consider When Buying an Acoustic Guitar Mic

There are many types of microphones available these days, and looking at each one makes it tricky to decide which is the best one for recording. Therefore there are some of the features that you should keep in mind while buying the best microphone for recording

Large Diaphragm Condenser

Large-diaphragm condenser microphones are the most common choice when it comes to recording acoustic guitar. These are well known for their unmatched versatility with the ability to record instruments. The large-diaphragm condenser has many pickup designs and built-in pads that permit you to alter the frequency that best matches your recording.

There are different types of large diaphragm condenser microphones available in the markets. Some of them can better control the louder sounds of the instruments, for instance drums can handle the larger volumes in a much better way when compared with many other instruments.

Small Diaphragm Condenser in all Best Microphone for Acoustic Guitar,s

The microphones with a small diaphragm condenser provide different unique features to other larger diaphragm microphones. In addition, they respond too well as they are light in weight, making them a better option for recording the acoustic guitar. Moreover, these microphones focus only on a single sound origin.

Typically, they are used on drum heads, as they are capable of handling large volumes.  These are designed in pencil-like shapes, so they are the best choice for studios, since they are so fast to react, saving their users’ time.

Microphone Polar Pattern

The microphone’s function to record the sounds depends on one of the important features of Polar Patterns. The polar pattern shows how delicate the microphone is and controls the management that it can pick the sounds. For instance, those microphones with cardioid polar designs best match to hear.

They concentrate only on the front side ignoring all other sounds from the back or sides, focusing on a single instrument or single sound. Some other microphones catch the sound from all of the surroundings as they are in an omnidirectional polar pattern. Some circular pattern microphones concentrate on only one of the sounds however they multiply the whole atmosphere.


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