In this article, we will explore a couple of exercises and challenge the ideas based on Guitar exercises for speed. So to help and build speed and accuracy. Otherwise, all of the following exercises require the structure and use of a metronome. In fact, you should get into the habit of using a metronome whenever you practice. Although it is because it will help you to play faster and cleaner.
The metronome helps you in two ways.
- First, it teaches you the strength to stay on time. Rhythm is a huge pressure part of playing music. Although if you have trouble staying in categories on time, everything will sound messy.
- It also clearly navigates your progress and you only get to 60 bpm. So the day after you make a click and comment it to 120 bpm. So you will know that you have made some hands-on progress and synchronization in speed. A clear indication or images based on progress sort out and help in choosing motivation. So you will motivate yourself by using a metronome.
As you start to build up speed with these exercises, oftentimes you will want to halve the speed of the metronome so it doesn’t get too distracting. For example, once you’ve made it to about 180 bpm, the constant beating of the metronome may get a little annoying. The solution is, if you are playing quarter notes at 180 bpm, play eighth notes at 90 bpm instead. You’ll be playing everything at the same speed with fewer beats from the metronome.
A quick word on speed
The key to playing fast is in the inbox, after having sound technique and attention on the day. Although it is done in an effortless manner. It may seem a common counter-intuitive approach but I can’t stress it enough. So it is important to be completely strong and relaxed when holding and playing difficult at faster speeds.
Try this out to see what I mean: stop all of this and flex your forearm and move your fingers as fast as you can. Then try it and send without flexing your forearm. Although you should find a face to publish your fingers. After that, you will feel free and move faster to choose your forearm relaxed. Similarly, you can try sprinting while effective and left flexing your quads, then sprint love again while required to relax.
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Guitar speed exercises
The results will be the same when all information in your body moves faster. So a more efficient way means you relaxed on the right purpose. I bring up this point because a series of a lot of people share and recommend to earn. Although myself included, I tend to set the author of the metronome way too fast when practicing these exercises. If your body tenses up at higher speeds, chances are, you’re going too fast, even if you’re hitting the notes cleanly.
If you can not play fast effortlessly, you are not there and need to spend more time at a slower speed. It is better to spend more time making sure your technique is sound. So rushing through the exercises and creating bad habits.
Chromatic exercise for guitar speed exercises
This first exercise should be familiar to every one of the guitar speed exercises. So they begin on the first four frets while dedicating one finger to each fret. You will just be playing the notes on frets one, two, three, and four, while alternate picking with your right hand. Do this on all six strings, and increase the guitar speed exercises of the metronome as you progress with guitar playing.
Try this same exercise higher up the neck as well as alternate picking. So you get the feeling of playing fast at the higher frets. Remember to take note of the guitar speed exercises of the metronome, at the end of your practice to track your progress!
Scales of guitar exercise
For those of you that know how to play scales by guitar strings. Although you can do the same thing as the playing speed of the chromatic exercise by rhythm playing. Although you will play your scales instead of eighth notes. This will help you kill two birds with one stone of eighth notes; you are working on your technique and on memorizing your scale shapes.
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This is one of my favorite exercises for building techniques. So it is because it looks like it only works on hammer.-on and pull-off, but it has many more benefits of the same string. Let’s look at how to do the exercise first on the same scale of three-note groupings of string patterns.
This exercise requires you to know about the last exercise and how to execute your hammer. On and pull-off techniques if you are unsure of how to do this you can skip this exercise. Start by turning on a metronome at a slow speed. Between 60-80 bpm is a good building speed. The key to this exercise is to stay slow and pay attention to the same amount.
Similar to the chromatic exercise, we will be staying within the first four frets with one finger dedicated to each fret. We will begin with a hammer. Ons with every possible combination of two fingers.
The first thing this exercise works on is your timing for a hammer for most guitarists. Timing for these two techniques one note is tricky for fretting hands. Although it is especially the hammer-ons. So it is because of a slight delay between the technique being executed.
Reasons of metronome
Thus when a sound is produced you can use this exercise to learn the length of that slight delay. So that your hammer-ons and pull-offs are exactly in time with the metronome. This exercise also works on finger independence.
Your fingers might feel stiff at first when doing a hammer-on or pull-off between your rings to increase speed. Thus pinky fingers in most people are not able to move their pinkies. So it is independent of their ring fingers’ slow and picking hand gradually increasing.
Finally, this exercise works on finger accuracy because in order to get ads. A good hammer-on sound, you need to land your finger on its “sweet spot.” Learning how to land on the sweet spot while doing a hammer-on translates to everything else.
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This exercise 1 may be a brain-buster at first but stick with it. So you will see many improvements in your right and left-hand coordination. This exercise has you moving diagonally across strings. Similar to the other exercises, dedicate one finger per fret for exercise 1.
Once you get comfortable with this pattern, try ascending and descending the fretboard. While doing this exercise 5 you will remember the point of all of these exercises. Although it is to work at a fast speed while remaining relaxed.
If you find yourself tensing up, slow down. Always set the metronome at a speed that is not too slow to the point. Thus you get bored and the world is not too fast so you are struggling. Every new technique you notice or pick up should be practiced with these fundamental ideas in mind. Start slow, relax, speed up, relax focusing.
Guitar Tab demonstrating A Minor Pentatonic exercise in the first shape , with eight notes that ascend.
This practice is based on music from A Minor Pentatonic Scale and is played in eighth notes. Two notes in each group will have a separate beat, and must be alternately played throughout the.
Guitar Tab demonstrating A Minor Pentatonic exercise in the first shape , with eight notes that descend.
This is also part of this section of the A Minor Pentatonic Scale and it’s the reverse that of previous exercises. The exercise is performed in an ascending fashion, using straight eighth notes. Once you alternate picking through.
Guitar Tab that demonstrates the A Minor Pentatonic exercise in the second shape using eight notes that ascend. This exercise is based on the second form that is part of the A Minor Pentatonic Scale and follows the same idea in Exercise 1 Play the phrase in ascending order using two notes each beat.
Guitar Tab demonstrating an A Minor Pentatonic exercise in the second shape , using the descending eighth notes.
This exercise is based on the second design that is part of the A Minor Pentatonic Scale and is similar to Exercise 2 by using it’s lower eighth notes, which should be alternately picked.
Guitar Tab with an A Minor Pentatonic exercise using the first and the second shape using the ascending 8th notes. This exercise can make the task a bit more difficult because it introduces the possibility of a shift in position. In this particular exercise we’re employing the second and first shape that form the A Minor Pentatonic Scale. The rhythm is straight eighth notes, which are alternately picked, but you must be aware of the change in the rhythm at beat three.
Two beats in the first beat remain in the first form, and those on the fourth and third beats shift to the second shape. When shifting your hand position in quick phrases, you need to make sure you’re in the right place at the new location and not overdoing it. Reduce the speed using the metronome. Make sure that you are able to move your entire finger to adjust to the change.
Use your index finger and little finger to perform the first place, and then your rings and index fingers to do the next.
Guitar Tab that demonstrates A Minor Pentatonic exercise using the first and second shapes using descending eighth notes.
This is the opposite of Exercise 5 and is performed in reverse through the same move in the position. Moving backwards through a position change may pose challenges at high speed the same hand movements will take place, but you’re now controlling the motion with a finger different than your index finger.
Start the first phrase by using your ring finger playing the 10th fret, and your index finger on the 8th. When the two first beats have gone by then you should aim at an 8th fret in the E string using your index finger. Do not be enticed to move to this note using your index finger. This could cause more problems in getting back towards the fifth fret.
Guitar Tab that shows A Minor Pentatonic exercise using the first and the second shapes with descending eighth notes within four note groups.
This task might appear terrifying on paper, however it’s not as scary as it looks. It’s just straight eighth notes that descend through the first and second designs in the A Minor Pentatonic Scale in four note groups.
Note how the first note of each group is the note from that previous group. It is important to get comfortable with the flow of notes before you start building up speed. When you are able to comfortably play through a long piece and you are comfortable, adjust the metronome’s speed at a level that is comfortable and begin to tighten it.
When you are dealing with long phrases it’s helpful to break them down into bar phrase. It is possible to use every part from this to create a short exercise on its own.
Guitar Tab demonstrating A Minor Pentatonic exercise using the first and the second shape with triplet groupings ascending.
In this practice, we are going to examine triplets. On each beat, we will be playing three notes, instead of the two notes we’ve been playing. The use of triplets in the passages gives the runs a more frantic and fast feeling.
This exercise is based on this exercise following the A Minor Pentatonic Scale first form, all the way to that final triplet in the 3rd bar, after which it is moved up to the second form.
Each triplet is a sequence that consists of 3 notes (two distinct pitched notes and one note is repeated) and in the “high low low” pattern. When we are ascending the shape of the scale and then descend, we’re also doing so in each of the triplets. This is a typical metal and rock-style run that can be used to create the form of a fast guitar solo.
The alternative picking will be slightly different than the ones listed in the table at the beginning of the lesson. We will be using “D U D” on the first and third triplets, and “U D U” on the fourth and second triplets.
It is important to master the correct way to do this prior to pushing your speed. This is a little moment to tighten. Pay attention to that tiny movement at the bottom as well.
Guitar Tab that demonstrates A Minor Pentatonic exercise using the first form with groups of triplets that descend.
This exercise also runs through how to play the A Minor Pentatonic Scale as an array of triplets but this time we’re going from the top note of the form down to the bottom note.
One way to keep in mind the format that this game is to be aware that every triplet group begins with the note that is the group preceding. That means that for each time you play three notes it is actually down another note.
Guitar Tab with an A Minor Pentatonic exercise using the five shapes and eight note groups that descend and shifting of the position.
This practice is full of shifting in the position and utilizes both the E and B strings from all five forms in the A Minor Pentatonic Scale. It is played in straight eighth notes, with an interval of position shifting each beat.
The two note phrases are performed in reverse. As you change positions, you are focused on the note that is higher in the two phrases first. I’d suggest using your little finger and ring finger to concentrate on the notes higher as well as your first finger to target the notes lower in each pair.
The fourth and third shape (both of which are on bar 2) aren’t the same frets on the two strings. For the third form make use of your third finger to play the 12th fret, and your small finger for the 13th fret. When you are in the fourth shape, you can use your small finger to play the 15th fret notes , however you are able to experiment with your middle and your first fingers between the 13th and 12th frets.
It might be more comfortable for you to perform the 13th using another finger, or it may be easier to play with the first finger.
Practicing Exercise Summary
Patience is the key in these exercises because if you overextend yourself, you will create a lot of bad habits. If you pick up bad habits while practicing, then you have truly wasted your time. With practice, you should be gaining speed and accuracy, not building sloppy technique.
Playing the guitar quickly has never been a natural strength of mine. For some reason still unknown to me, my fingers just do not want to measure very fast. Thus over the years, I have tried a huge range of different guitar exercises to try and get quicker musicians.
But despite these efforts in life, it has only been in the last 6 months that I have really made big improvements in how quickly I can play. I contribute this significant improvement to 2 factors. The first is that I have focused on just 7 main guitar exercises.
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Although I have put these together through some trial and error. So I have found that when combined together, these exercises will help you to build speed. So that you can actually use it when you are soloing or improvising.
They will help you to develop a well-rounded skill set and speed. So that you can use it in lots of different soloing and improvising situations. Secondly, I incorporated these exercises into my practice routine. Thus it is more effective than I have done in the past. And this has made a huge difference to my playing.
In this article, I have outlined 7 key guitar exercises that will help you to play faster. As I also look at how you can incorporate these exercises into your practice routine for the best results.
Some Opening Thoughts…
Before you dive into these exercises though, I think it is worth asking yourself. Why do you want to play faster?. So I also think it is worth asking whether trying to develop speed is the best use of your practice time.
I only ask this, because truthfully, I do not think that you need to develop speed. These are killer blues guitarist instruments. After all, if you think about a lot of the most famous blues guitarists of all time. Very few of them play fast. This is definitely true of the ‘Three Kings’ and also of most of the early American bluesmen.
The focus of these earlier guitarists was on note placement. So vibrato and the quality of their touch and feel. You want to emulate these guitarists and develop a tasteful, melodic, and expressive style. Then I would argue that you are better off focusing on other elements of your technique.
In my opinion, there are 2 main reasons you might want to develop speed. The first is you want to emulate the style of your favorite guitarist. Over the last 50 years, there have been some very notable blues guitarists that play fast.
Rory Gallagher, Jimmy Page, Stevie Ray Vaughan, Gary Moore, Walter Trout, Joe Bonamassa, Eric Gales. So if you want to sound like any of these players and emulate their style, then you need to get faster.
The second is that having the ability to play quickly does make you more versatile. Even if you favor a slower, more melodic style. Thus it is great to have the option of executing a fast lick or run. Modern blues guitarist Josh Smith is a great example of a player who uses speed sparingly. Although it does so to great effect.
In this sense, developing speed is like adding another color to your musical palette. You don’t have to use it a lot, but it is there if you want it.
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How To Practice These Guitar Exercises?
If you decide then you want to get faster. So try adding the following exercises into your practice routine. As you will see below all of these exercises are variations of 1 main exercise. As a result, there are some key elements of all of these exercises that are the same. So when you are going through them:
Use a Metronome
This is an essential tool if you want to get faster. All of the exercises here require a metronome, so if you do not have one. I would recommend you add one to your setup. Metronomes come in a whole range of different styles from the more traditional mechanical metronomes. It is electronic metronomes, to apps.
You can even buy watches that pulse on your wrist to help keep you in time. Personally I use Metronome Online. It is free and all of the features that I need, and there is a great dashboard. You can track your practice time and set yourself daily goals.
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Use Alternate Picking
This is a crucial skill to develop if you want to get faster. So when you go through all of these exercises, make sure that you are always alternating your picking. If you do not, then you will struggle. It is really developed and your progress will stall quite quickly.
Focus on Progress
The BPMs that I have used in this article are just examples. For some of you, they will be too low. So it will have to crank the BPM right up. For others, the BPMs here might prove challenging. Try not to worry about what other people are doing. What you think you should be doing. Just focus on your own journey and making progress.
Focus on Precision
Guitarists like Stevie Ray Vaughan and Gary Moore sound so good. It is because they never compromise precision for speed. So even when their playing is fast, it is never sloppy. Thus do not chase speed at the expense of your playing. You want your playing to be fast. So tight and controlled, not loose and sloppy.
Take your time progressing through these exercises. It is better to consolidate each exercise at a particular tempo. So before you try to push the pace and play them more quickly.
All of the guitar exercises outlined in this article are variations on this first exercise. So it is very important to really get this one under your fingers. The idea here is to play 4 notes for each click of the metronome. Do not use any hammer-ons or pull-offs.
So pick each note individually. Work your way up the neck by moving up 1 fret every time. So you reach the high or low E string.
So, in the example below, after playing the 2nd fret on the low E. You move up 1 fret and start the pattern again from the 3rd fret. Go all the way up the neck until you hit the 15th fret. Then work your way back down the neck to the beginning.
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How to Change Classical Guitar Strings
Sometimes we get so used to our classical guitar or wood guitar that we have to change guitar strings due to their different use. But not everyone knows how to change classical guitar strings. If your guitar strings vibrate, sound harsh, or can no longer carry a tune, it’s time to replace them.