Half-Guitar Exercises for Speed In this article, we will explore a couple of exercises and challenge the ideas based on Guitar exercises for speed. So to help and build speed and accuracy. Otherwise, all of the following exercises require the structure and use of a metronome. In fact, you should get into the habit of using a metronome whenever you practice. Although it is because it will help you to play faster and cleaner.
The metronome helps you in two ways.
- First, it teaches you the strength to stay on time. Rhythm is a huge pressure part of playing music. Although if you have trouble staying in categories on time, everything will sound messy.
- It also clearly navigates your progress and you only get to 60 bpm. So the day after you make a click and comment it to 120 bpm. So you will know that you have made some hands-on progress and synchronization in speed. A clear indication or images based on progress sort out and help in choosing motivation. So you will motivate yourself by using a metronome.
As you start to build up speed with these exercises, oftentimes you will want to halve the speed of the metronome so it doesn’t get too distracting. For example, once you’ve made it to about 180 bpm, the constant beating of the metronome may get a little annoying. The solution is, if you are playing quarter notes at 180 bpm, play eighth notes at 90 bpm instead. You’ll be playing everything at the same speed with fewer beats from the metronome.
A quick word on speed
The key to playing fast is in the inbox, after having sound technique and attention on the day. Although it is done in an effortless manner. It may seem a common counter-intuitive approach but I can’t stress it enough. So it is important to be completely strong and relaxed when holding and playing difficult at faster speeds.
Try this out to see what I mean: stop all of this and flex your forearm and move your fingers as fast as you can. Then try it and send it without flexing your forearm. Although you should find a face to publish your fingers. After that, you will feel free and move faster to choose your forearm relaxed. Similarly, you can try sprinting while effective and left flexing your quads, then sprint love again while required to relax.
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Half-Guitar Exercises for Speed
The results will be the same when all information in your body moves faster. So a more efficient way means you relaxed on the right purpose. I bring up this point because a series of a lot of people share and recommend to earn. Although myself included, I tend to set the author of the metronome way too fast when practising these exercises. If your body tenses up at higher speeds, chances are, you’re going too fast, even if you’re hitting the notes cleanly.
If you can not play fast effortlessly, you are not there and need to spend more time at a slower speed. It is better to spend more time making sure your technique is sound. So rushing through the exercises and creating bad habits.
Chromatic exercise for guitar speed exercises
This first exercise should be familiar to every one of the guitar speed exercises. So they begin on the first four frets while dedicating one finger to each fret. You will just be playing the notes on frets one, two, three, and four, while alternate picking with your right hand. Do this on all six strings, and increase the guitar speed exercises of the metronome as you progress with guitar playing.
Try this same exercise higher up the neck as well as alternate picking. So you get the feeling of playing fast at the higher frets. Remember to take note of the guitar speed exercises of the metronome, at the end of your practice to track your progress!
Scales of guitar exercise
For those of you, that know how to play scales by guitar strings. Although you can do the same thing as the playing speed of the chromatic exercise by rhythm playing. Although you will play your scales instead of eighth notes. This will help you kill two birds with one stone of eighth notes; you are working on your technique and on memorizing your scale shapes.
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This is one of my favourite exercises for building techniques. So it is because it looks like it only works on hammer.-on and pull-off, but it has many more benefits of the same string. Let’s look at how to do the exercise first on the same scale of three-note groupings of string patterns.
This exercise requires you to know about the last exercise and how to execute your hammer. On and pull-off techniques if you are unsure of how to do this you can skip this exercise. Start by turning on a metronome at a slow speed. Between 60-80 bpm is a good building speed. The key to this exercise is to stay slow and pay attention to the same amount.
Similar to the chromatic exercise, we will be staying within the first four frets with one finger dedicated to each fret. We will begin with a hammer. Ons with every possible combination of two fingers.
The first thing this exercise works on is your timing for a hammer for most guitarists. Timing for these two techniques one note is tricky for fretting hands. Although it is especially the hammer-ons. So it is because of a slight delay between the technique being executed.
Reasons of metronome
Thus when a sound is produced you can use this exercise to learn the length of that slight delay. So that your hammer-ons and pull-offs are exactly in time with the metronome. This exercise also works on finger independence.
Your fingers might feel stiff at first when doing a hammer-on or pull-off between your rings to increase speed. Thus pinky fingers in most people are not able to move their pinkies. So it is independent of their ring fingers’ slow and picking hand gradually increasing.
Finally, this exercise works on finger accuracy in order to get ads. With a good hammer-on sound, you need to land your finger on its “sweet spot.” Learning how to land on the sweet spot while doing a hammer-on translates to everything else.
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Exercise 1 may be a brain-buster at first but stick with it. So you will see many improvements in your right and left-hand coordination. This exercise has you moving diagonally across strings. Similar to the other exercises, dedicate one finger per fret for exercise 1.
Once you get comfortable with this pattern, try ascending and descending the fretboard. While doing this exercise 5 you will remember the point of all of these exercises. Although it is to work at a fast speed while remaining relaxed.
If you find yourself tensing up, slow down. Always set the metronome at a speed that is not too slow to the point. Thus you get bored and the world is not too fast so you are struggling. Every new technique you notice or pick up should be practised with these fundamental ideas in mind. Start slow, relax, speed up, relax focusing.
Practising exercise 5
Patience is the key in these exercises because if you overextend yourself, you will create a lot of bad habits. If you pick up bad habits while practising, then you have truly wasted your time. With practice, you should be gaining speed and accuracy, not building sloppy technique.
Playing the guitar quickly has never been a natural strength of mine. For some reason still unknown to me, my fingers just do not want to measure very fast. Thus over the years, I have tried a huge range of different guitar exercises to try and get quicker musicians.
But despite these efforts in life, it has only been in the last 6 months that I have really made big improvements in how quickly I can play. I contribute this significant improvement to 2 factors. The first is that I have focused on just 7 main guitar exercises.
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Although I have put these together through some trial and error. So I have found that when combined together, these exercises will help you to build speed. So that you can actually use it when you are soloing or improvising.
They will help you to develop a well-rounded skill set and speed. So that you can use it in lots of different soloing and improvising situations. Secondly, I incorporated these exercises into my practice routine. Thus it is more effective than I have done in the past. And this has made a huge difference to my playing.
In this article, I have outlined 7 key guitar exercises that will help you to play faster. As I also look at how you can incorporate these exercises into your practice routine for the best results.
Some Opening Thoughts…
Before you dive into these exercises though, I think it is worth asking yourself. Why do you want to play faster? So I also think it is worth asking whether trying to develop speed is the best use of your practice time.
I only ask this, because truthfully, I do not think that you need to develop speed. These are killer blues guitarist instruments. After all, if you think about a lot of the most famous blues guitarists of all time. Very few of them play fast. This is definitely true of the ‘Three Kings’ and also of most of the early American bluesmen.
The focus of these earlier guitarists was on note placement. So vibrato and the quality of their touch and feel. You want to emulate these guitarists and develop a tasteful, melodic, and expressive style. Then I would argue that you are better off focusing on other elements of your technique.
In my opinion, there are 2 main reasons you might want to develop speed. The first is you want to emulate the style of your favourite guitarist. Over the last 50 years, there have been some very notable blues guitarists that play fast.
Rory Gallagher, Jimmy Page, Stevie Ray Vaughan, Gary Moore, Walter Trout, Joe Bonamassa, Eric Gales. So if you want to sound like any of these players and emulate their style, then you need to get faster.
The second is that having the ability to play quickly does make you more versatile. Even if you favour a slower, more melodic style. Thus it is great to have the option of executing a fast lick or run. Modern blues guitarist Josh Smith is a great example of a player who uses speed sparingly. Although it does so to great effect.
In this sense, developing speed is like adding another colour to your musical palette. You don’t have to use it a lot, but it is there if you want it.
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Sep 4, 2021
How To Practice These Guitar Exercises?
If you decide then you want to get faster. So try adding the following exercises into your practice routine. As you will see below all of these exercises are variations of 1 main exercise. As a result, there are some key elements of all of these exercises that are the same. So when you are going through them:
Use a Metronome
This is an essential tool if you want to get faster. All of the exercises here require a metronome, so if you do not have one. I would recommend you add one to your setup. Metronomes come in a whole range of different styles from the more traditional mechanical metronomes. It is electronic metronomes, to apps.
You can even buy watches that pulse on your wrist to help keep you in time. Personally, I use Metronome Online. It is free and all of the features that I need, and there is a great dashboard. You can track your practice time and set yourself daily goals.
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Use Alternate Picking
This is a crucial skill to develop if you want to get faster. So when you go through all of these exercises, make sure that you are always alternating your picking. If you do not, then you will struggle. It is really developed and your progress will stall quite quickly.
Focus on Progress
The BPMs that I have used in this article are just examples. For some of you, they will be too low. So it will have to crank the BPM right up. For others, the BPMs here might prove challenging. Try not to worry about what other people are doing. What do you think you should be doing? Just focus on your own journey and make progress.
Focus on Precision
Guitarists like Stevie Ray Vaughan and Gary Moore sound so good. It is because they never compromise precision for speed. So even when their playing is fast, it is never sloppy. Thus do not chase speed at the expense of your playing. You want your playing to be fast. So tight and controlled, not loose and sloppy.
Take your time progressing through these exercises. It is better to consolidate each exercise at a particular tempo. So before you try to push the pace and play them more quickly.
All of the guitar exercises outlined in this article are variations of this first exercise. So it is very important to really get this one under your fingers. The idea here is to play 4 notes for each click of the metronome. Do not use any hammer-ons or pull-offs.
So pick each note individually. Work your way up the neck by moving up 1 fret every time. So you reach the high or low E string.
So, in the example below, after playing the 2nd fret on the low E. You move up 1 fret and start the pattern again from the 3rd fret. Go all the way up the neck until you hit the 15th fret. Then work your way back down the neck to the beginning.
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